Hyejin Jo Shape, From the Side Reading Documents Poster
Poster, 2019
Hyejin Jo Shape, From the Side Reading Documents Poster
Poster, 2019
MUMU Sticker
Small Graphic, 2019
MUMU Sticker
Small Graphic, 2019

MUMU is modular—each part functions differently, expanding and shifting. The graphic identity of MUMU utilizes modules as applied throughout the exhibition. Named after the extraterrestrial life form from Gashoi’s novel, Pleasure to Meet You, mumu asks the conditions for living as a human being by shapeshifting itself for anthropomorphosis. The graphic modularity of the exhibition MUMU similarly changes in response to and emulates the characteristics or size of its desired medium.

The Korean display typeface used for MUMU is Taihun Kim’s ‘Pyeonggyun,’ based both on the principles of brush stroke calligraphy, as well as on standardized Myeongjo fonts; its unique shape is determined by maximizing the contrast of strokes, substituting them with new, adaptable data. The typeface used for the Roman alphabet is ‘Druk’ Condensed, whose extreme compressed quality allows the two letters of ‘MU’ to fit neatly within a square form. 

Utilizing its hyper sensitivity, MUMU turns on and off pro re nata; the title, composed of black and white boxes, follows a repeated sequence.

MUMU Invitation
Small Graphic, 2019
MUMU Invitation
Small Graphic, 2019

MUMU is modular—each part functions differently, expanding and shifting. The graphic identity of MUMU utilizes modules as applied throughout the exhibition. Named after the extraterrestrial life form from Gashoi’s novel, Pleasure to Meet You, mumu asks the conditions for living as a human being by shapeshifting itself for anthropomorphosis. The graphic modularity of the exhibition MUMU similarly changes in response to and emulates the characteristics or size of its desired medium.

The Korean display typeface used for MUMU is Taihun Kim’s ‘Pyeonggyun,’ based both on the principles of brush stroke calligraphy, as well as on standardized Myeongjo fonts; its unique shape is determined by maximizing the contrast of strokes, substituting them with new, adaptable data. The typeface used for the Roman alphabet is ‘Druk’ Condensed, whose extreme compressed quality allows the two letters of ‘MU’ to fit neatly within a square form. 

Utilizing its hyper sensitivity, MUMU turns on and off pro re nata; the title, composed of black and white boxes, follows a repeated sequence.

MUMU Poster
Poster, 2019
MUMU Poster
Poster, 2019

MUMU is modular—each part functions differently, expanding and shifting. The graphic identity of MUMU utilizes modules as applied throughout the exhibition. Named after the extraterrestrial life form from Gashoi’s novel, Pleasure to Meet You, mumu asks the conditions for living as a human being by shapeshifting itself for anthropomorphosis. The graphic modularity of the exhibition MUMU similarly changes in response to and emulates the characteristics or size of its desired medium.

The Korean display typeface used for MUMU is Taihun Kim’s ‘Pyeonggyun,’ based both on the principles of brush stroke calligraphy, as well as on standardized Myeongjo fonts; its unique shape is determined by maximizing the contrast of strokes, substituting them with new, adaptable data. The typeface used for the Roman alphabet is ‘Druk’ Condensed, whose extreme compressed quality allows the two letters of ‘MU’ to fit neatly within a square form. 

Utilizing its hyper sensitivity, MUMU turns on and off pro re nata; the title, composed of black and white boxes, follows a repeated sequence.

Jackson Hong Killer Move T-shirts
Stuff, 2019
Jackson Hong Killer Move T-shirts
Stuff, 2019
Jackson Hong Killer Move Poster
Poster, 2019
Jackson Hong Killer Move Poster
Poster, 2019
Negotiating Borders at UK Leaflet
Small Graphic, 2019
Negotiating Borders at UK Leaflet
Small Graphic, 2019
Negotiating Borders at UK Poster
Poster, 2019
Negotiating Borders at UK Poster
Poster, 2019
Negotiating Borders 2 at Brazil Leaflet
Small Graphic, 2019
Negotiating Borders 2 at Brazil Leaflet
Small Graphic, 2019
Negotiating Borders 2 at Brazil Poster
Poster, 2019
Negotiating Borders 2 at Brazil Poster
Poster, 2019
MMCA Research Talk: Temporary and Distributed Libraries, tactics to support media art history AD
Stuff, 2019
MMCA Research Talk: Temporary and Distributed Libraries, tactics to support media art history AD
Stuff, 2019
Sunpil Don Kitsutaiten Poster
Poster, 2019
Sunpil Don Kitsutaiten Poster
Poster, 2019
Photo by Sunpil Don.
Highlight Artbank Poster
Poster, 2018
Highlight Artbank Poster
Poster, 2018
Tasteview 2 Poster
Poster, 2018
Tasteview 2 Poster
Poster, 2018
Poster for the 2nd showcase Tasteview (Tastehouse, Seoul). Offset, size 900 × 600 mm.